According to the teaser video, the lens will feature a T1. Fujifilm has used the 10th anniversary of its X Series release to announce the date of its X Summit event, where Fujifilm says it will release its 5th generation X-mount camera in May.
In this video, we join lifestyle and commercial photographer Christian Sorensen Hansen as he uses Fujifilm's latest lenses to shoot documentary and fashion coverage at Freeman Seattle - a family-run clothing company based in Seattle Washington.
In a new series about composition, landscape and nature photographer Erez Marom develops an idea about viewing compositional elements as masses and lines, and challenges the viewer to determine what the elements of an image are, as an exercise in photographic vision.
Chris and Jordan ventured into the frigid Canadian winter for their full review of the Nikon Z fc, earning Chris a beard full of ice. The good news? All those old-fashioned dials worked great with mittens. Watch this week's episode to see their verdict on this retro-looking camera. While he usually photographs wild cats, wildlife photographer Steve Winter was tasked by WIRED to photograph a domestic cat in a city studio. After shooting images, how does Winter select his single best image?
OnePlus has spent the week teasing its new flagship OnePlus 10 Pro smartphone. It has finally been fully unveiled ahead of its launch in China next week. While not a lot is new, the phone includes improved color, better software and a new degree ultra-wide camera.
It's not just camera manufacturers being impacted by the semiconductor shortage. Sigma CEO, Kazuto Yamaki, confirmed on Twitter that could see its production impacted by a shortage of semiconductors. While the camera made it through various stages of prototyping, production of the then-groundbreaking camera never started due to the collapse of the Soviet Union.
If you want to get classic Hollywood-like lens flare in your photos and videos, you can either purchase an expensive, specialized anamorphic lens. Or, you can check out Moment's new CineFlare Streak filters that promise anamorphic-like lens flare. The Rijksmuseum, located in the Netherlands, recently published the largest and most detailed image to date.
The Dutch museum's website now hosts a gigapixel rendition of Rembrandt's 'The Night Watch' Firmware version 1. The update also addresses other bugs found in firmware version 1.
The arrival of a full production sample of the Nikon Z9 at our Seattle offices just before Christmas last year coincided with a heavy snowfall and extended period of cold weather in the Pacific Northwest. Check out our initial samples. Whether you only need a charge or two while walking around town or need to power a fleet of drones and professional cameras, we've rounded up the best chargers on the market to ensure you're never left with a depleted camera or accessory.
A YouTube creator who goes by NASS revived video footage obtained from the Internet Archive, and colorized it with added sound, to reveal what California looked like almost a century ago. Razer has announced a major refresh of its Blade notebook series. The Razer Blade 14, 15 and inch models have received performance upgrades, design improvements, a new webcam, a new keyboard and much more.
Submit a News Tip! Reading mode: Light Dark. Login Register. Best cameras and lenses. Now reading: Sony Cyber-shot H1 Review 5 comments. A YouTube creator who goes by NASS revived video footage obtained from the Internet Archive, and colorized it with added sound, to reveal what California looked like almost a century ago. Razer has announced a major refresh of its Blade notebook series. The Razer Blade 14, 15 and inch models have received performance upgrades, design improvements, a new webcam, a new keyboard and much more.
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See more galleries ». Latest in-depth reviews. Read more reviews ». Latest buying guides. Best cameras for landscape photography in Best drones in Best video cameras for photographers in Best cameras for Instagram in Check out more buying guides ». Discover more challenges ». Leica M11 initial review. The blue Zeiss logo on the side of the lens is a nod to what we're dealing with here, but the standout feature of the lens are its manual controls. Beyond this ring there are two additional ones: a macro ring which switches the lens' focal range from the full 30cm-infinity range down to a cm "macro" focus; and a manual focus ring that's right towards the front of the lens.
The latter is positioned perfectly so there's enough to grab at, it's naturally comfortable and the rotation is buttery smooth.
Full marks on the quality control front here; this is a class lens to operate. On the top of the RX1's body is a main mode dial, an exposure compensation dial and a "c" function button all nestled around the shutter.
There's even a shutter-based screw thread for using a traditional cable release - another nod to the classics. The only moan here is the exposure compensation dial's lack of a lock or indicator light to show when it's not set to zero. Would have helped to avoid accidental in-bag knocks out of place, for example.
On the back of the camera there's a mini thumbwheel as well as a d-pad that also rotates to act as a second thumbwheel. The d-pad's directional keys are programmable, as are the "Fn" function and AEL auto exposure lock buttons. There's a lot of detail in the main menus too. Whether you wish to switch off high ISO NR noise reduction , or adjust its amount, or switch from centre AF point to multi auto, it's all there.
For quick access to all the major controls a tap of the Fn button will, by default, bring up the strong settings shortlist - arranged on both left and right sides of the LCD screen - which can be navigated through using the d-pad. The only things that's apparently missing is a built-in neutral density ND filter - although the 49mm diameter front thread can take care of that, if you want to add one. With cameras' autofocus systems seemingly reaching sound-barrier-breaking speeds of late, we had anticipated that the Sony Cyber-shot RX1 would be right up there with the best of them.
Only it's not. At least, not quite. That same Olympus E-PM2 we cited as a size comparison has a faster autofocus at an equivalent 35mm focal length setting, even with its basic mm kit lens.
That doesn't mean the Sony is heinously slow, but it's certainly slower. That's almost like a tradition in itself as any of the high-spec street-photographer-style cameras that have hit the market in the past few years haven't been the quickest of the bunch. No, it may not be the fastest but the RX1 is still very capable, and accuracy is as - if not more - important than speed for a camera like this anyway.
Shooting at ISO in a pub in low light and with the AF assist lamp switched off and the RX1 was more than happy to grab a subject into sharp focus. Note that the AF assist lamp was off to avoid any unnecessary distractions, so that's pretty darn good going.
Any comparison with a full-frame DSLR is ultimately different, as many of those interchangeable lens beasties are equipped with far nippier phase-detection AF systems that can, say, track a bird in flight, adjust for a race car moving towards the shooting position and so on.
The RX1 is a different beast; it's not a fast shooter, nor, we suspect, was it really intended to be. The original prototype had a continuous autofocus option included on its front - something that was retracted from the final model.
All the shooting modes of the camera are available in the mode dial on the top, which makes for easy operation. Auto mode is the mode with the green camera icon on the mode dial. In auto mode, your options are limited — you can choose if you shoot a single or burst, the exposure compensation, flash mode, timer mode, and macro mode. In program auto, you can change color settings, metering modes, white balance, ISO, JPEG compression level, flash level, and sharpness.
As you turn the mode dial, a short description appears on the LCD. Movie mode is another slot on the mode dial allowing easy access. You can adjust the color, metering method, and white balance. Mono sound is recorded and optical zoom is not available during movie capture. During movie capture, you can set white balance to auto, daylight, cloudy, fluorescent, and incandescent. For still capture, in program auto mode, you get an additional choice of flash. Some white balance settings will be unavailable at different times.
For example, if you have the flash set to always on, you can only set the white balance to auto or flash. Control over the ISO setting is only available in program auto mode. Post-capture, you can resize and rotate your images. The S is pretty compact. Not quite an ultra-slim, but still pretty tiny. Its measurements are 5. It weighs in at 7 ounces with 2 batteries. The metal body feels sturdy and still manages to stay lightweight.
The brushed metal finish on the front of the camera adds a nice touch of style to the camera. Sony S on left, Sony W35 on right view large image.
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